Nikola Vuco (1902-1993) was Serbian surrealist photograph, which was one of the first surrealism artist in serbia, one of the founder of the first avant garde surrealism magazine in Belgrade called Vecnost (Eternity ) in 1926.
His legacy to the Museum of Applied Art consists of the original negatives and photographs taken both in Paris and Belgrade in 1929 and 1930.
Vuco transformed the conventional relationship between photography and reality, he allowed it to double and multiply the objects, to cut and decompose previously photographed wholes, to enlarge certain fragments to the very limits of recognition, or the making of images within images. In this way Vuco created works that could be compared to the most important creations in Surrealist photography in the world.
Vuco transformed the conventional relationship between photography and reality, he allowed it to double and multiply the objects, to cut and decompose previously photographed wholes, to enlarge certain fragments to the very limits of recognition, or the making of images within images. In this way Vuco created works that could be compared to the most important creations in Surrealist photography in the world.
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